My wife got a discount for family admission to the Renaissance Faire this year, and in the continuing spirit of “let’s kill the television,” we bundled into the SUV and headed south. A forgettable lunch at a mediocre restaurant later (we should have waited for the turkey legs at the faire), we were in, transported back to an approximation of the 15th century, give or take a few hundred years.
There were people walking about in period costumes, even the kids, with long wooden swords at their sides (and some not so wooden swords.) My son wanted one. Not five minutes at the faire, and we were in purchasing mode. I let it get to me, I wanted to walk around and look at the different spectacles and vendors, but the kids wanted to buy-buy-buy. Booth after booth after booth.
We got to one booth, where there were a few wooden swords in a bin, but tables and tables full of “real” swords and daggers and lots of things with sharp “here-let-me-cut-you” edges, along with little signs at 8 year old height that said you must be ten years older to buy a weapon.
Sean fingered a long knife, looked up at the scruffy haired, slightly in period costume merchant, and asked him, “Is it a real sword?”
“A real sword?” asks the merchant back. “Yes,” he replied hesitatingly, “it is.”
And in my mind, the critic chimed forth, silently to myself. “All this is fake. We’re not in medieval England, we’re in a farmer’s field in the middle of Western Washington.” My internal critic began sizing up people and thinking “Hmmmm, Mr. Pirate over there probably works on computers all day” and “Ms. Saucy Wench over there is probably a librarian or something.”
The internal critic of the creative. Ready when your defenses are down to pounce and call your creation and everyone else’s creation into question. “Is it real music?” “Am I really an artist?” “Am I a fraud?”
So what’s the antidote?
To recognize it when it’s happening.
You may recognize it right away, or it may take you a day, like it did me in this case. I could have really enjoyed the faire, even though I’m not exactly a costume person, but I let it all get to me.
All the swords at the fair that day were real, and none of them were made in medieval times.
All the artisans and people at the fair that day were real, and none of them were from the renaissance. But the artisans were artists nonetheless.
Don’t let your critics, internal or external, call you the fraud, call you fake. Keep practicing your art, your writing, your music. Yes, mastery takes practice, but the practice is what “real” artists do.
Summer’s end is rapidly approaching. Seems like it barely got a chance to arrive here in the Seattle area. I swear I can already taste a bit of October in the air, and the morning marine clouds remind me a lot of the gray hanging concrete that will solidify in the skies above come November.
August is upon us, and thoughts turn back to school and supplies and new clothes for the kinders. The cycle begins anew.
To help kickstart the new season, I’m offering my creativity coaching at $125 a month for new clients for up to three months. This offer is good between now and the end of October. For more info on what my coaching has to offer to help you write your book, deliver your talk, perform in public – click here.
I’m working on my novella about my most recent motorcycle adventure. Look for the eBook in September.
I’m stubborn. I admit it. I really, really wanted to try to make Hyder. I’ve resisted my own advice that the journey (which has been beautiful beyond compare), is more important than the destination. So, I pushed hard and at the end of the 3rd day racked up another massive 500 km day and arrived in Smithers, utterly exhausted again, with a lot more pictures to show for it and…
Wet. Very wet.
It started raining in Houston. Well, actually East of there at called Rose Lake. It was funny, because that’s just moments before, while filling up Niobe’s tank in Burns Lake, I’d asked a Forest Ranger (who was also filling up, alas not a motorcycle), if the clouds meant rain for these parts. He said yes, but said “You might get lucky.”
I got wet. I have pretty good gear, but I had forgotten to close all the air vents in the jacket and within a few moments, I felt the trickles begin on my skin.
And the wind was kicking up. A lot. Blowing the bike back and forth on the road as much as those big wood product trucks. Not so good.
I pulled over in the next town, Houston, and took shelter in an A&W (they are as ubiquitous as Tim Hortons it seems). After a hot cup of coffee, I changed my shirt to something dry and carefully went vent by vent in the jacket, taking care of all those things I had left undone.
Properly buttoned up, I still arrived a bit wet on the inside in Smithers last night.
And Friday was to bring more of that severe weather to the area, so I decided it would be best to keep heading West, capture as many sights as I could see, to get closer to Prince Rupert so that, come Friday, I wouldn’t have to be in the tough weather as long.
So tonight, with a sore back, a bit disappointed for not seeing Hyder, but grateful for the beauty I have seen thus far, I am kicking back for the night in Terrace.
And it is about the journey, and I still cannot believe what I have seen thus far. As a fellow biker I met at a little bakery in Vanderhoof told me, this is “God’s country.”
Just like yesterday, I have far more to say, but it will have to wait for now. Tomorrow into the storm and into Prince Rupert.